voice and guitar: Martin Fields
piano and organ: Mario Sboarina
   trumpet  Thierry Tsafack  
    
  
arrangements: Mario Sboarina
 
words granted to You who are
( a poem by Martha Fields, a music Mario Sboarina)
dal progetto: Mani e qualcos'altro
( http://maniequalcosaltro.blogspot.com/)
  
     
    
  
  
  
e le parole:
  
Dorare
    
             
   
 
   
   
   
   
   
   
   
   
   
   
   
   
     
   
   
   
   
   
   
   
V. ( Antiques )  
   
   
   
   
   
   
   
  
  
      
   
 arrangements: Mario Sboarina
words granted to You who are
( a poem by Martha Fields, a music Mario Sboarina)
dal progetto: Mani e qualcos'altro
( http://maniequalcosaltro.blogspot.com/)
   Il brano   Dorare       di   Tu che sei (Martina Campi e Mario Sboarina)   è protetto da una licenza    
    e le parole:
Dorare
 I (da:   Notturna, per la mattina after ) 
  to share the sofa, watching the sleeping 
 
 
 
say gl'interni
the passage of time
 
all those hours
all that brown *
 
and halogen lamps of
lounges
 
 
Upside to a desire
 
a bellows or more subtle, a wink,
coaster.
 
halogen lamps
 
buzz of living in unison.
 
 
 say gl'interni
the passage of time
all those hours
all that brown *
and halogen lamps of
lounges
Upside to a desire
a bellows or more subtle, a wink,
coaster.
halogen lamps
buzz of living in unison.
 II. (All around the room  ) 
  things that move and change 
 , the eye 
  (which even they say they know) 
  But as I can, I ignore the movement 
  O cuddly 
  collect and what memories: 
  scattered throughout the room 
  exactly as I left. 
  things, which in many ways be touched. 
  III. ( Air ) 
  Like some dives are deaf 
  and how many days do not end never 
  in silence all the silence widens 
  night rejected 
  In the rooms we treat 
  empty glasses on 
  tables 
  the lights of the standby. 
  IV. (My  ) 
  in the still image of the church rarefied 
  over the square and the oleanders in bloom 
  disorders and silences in dense s'accoltellano of eyes, and red 
  Neboli still thin 
  caresses flushed deficiencies 
  noisy at night fasting quarries 
 V. ( Antiques )
 embroidery soft recline antiques and fine furniture 
  night 
  hide wear and harmful cavity 
  other voices and faces more or less known to gather in circles of embarrassment and raw , 
  lightness decomposed clumsy comedy and lobbies generic then taken from memory much more polite of us to refraction 
  the floor tiles are dull and rough, no light without brightness and awkward descent, to climb 
  out with the old cars are waiting in the sun of the unknown ways, and undissolved deserted 
   *  
   These two verses I came from  gam   
     The Sauté poetry     of  Martina Fields  is protected by a license  
   
 
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