voice and guitar: Martin Fields
piano and organ: Mario Sboarina
trumpet Thierry Tsafack
arrangements: Mario Sboarina
words granted to You who are
( a poem by Martha Fields, a music Mario Sboarina)
dal progetto: Mani e qualcos'altro
( http://maniequalcosaltro.blogspot.com/)
e le parole:
Dorare
V. ( Antiques )
arrangements: Mario Sboarina
words granted to You who are
( a poem by Martha Fields, a music Mario Sboarina)
dal progetto: Mani e qualcos'altro
( http://maniequalcosaltro.blogspot.com/)
Il brano Dorare di Tu che sei (Martina Campi e Mario Sboarina) è protetto da una licenza
e le parole:
Dorare
I (da: Notturna, per la mattina after )
to share the sofa, watching the sleeping
say gl'interni
the passage of time
all those hours
all that brown *
and halogen lamps of
lounges
Upside to a desire
a bellows or more subtle, a wink,
coaster.
halogen lamps
buzz of living in unison.
say gl'interni
the passage of time
all those hours
all that brown *
and halogen lamps of
lounges
Upside to a desire
a bellows or more subtle, a wink,
coaster.
halogen lamps
buzz of living in unison.
II. (All around the room )
things that move and change
, the eye
(which even they say they know)
But as I can, I ignore the movement
O cuddly
collect and what memories:
scattered throughout the room
exactly as I left.
things, which in many ways be touched.
III. ( Air )
Like some dives are deaf
and how many days do not end never
in silence all the silence widens
night rejected
In the rooms we treat
empty glasses on
tables
the lights of the standby.
IV. (My )
in the still image of the church rarefied
over the square and the oleanders in bloom
disorders and silences in dense s'accoltellano of eyes, and red
Neboli still thin
caresses flushed deficiencies
noisy at night fasting quarries
V. ( Antiques )
embroidery soft recline antiques and fine furniture
night
hide wear and harmful cavity
other voices and faces more or less known to gather in circles of embarrassment and raw ,
lightness decomposed clumsy comedy and lobbies generic then taken from memory much more polite of us to refraction
the floor tiles are dull and rough, no light without brightness and awkward descent, to climb
out with the old cars are waiting in the sun of the unknown ways, and undissolved deserted
*
These two verses I came from gam
The Sauté poetry of Martina Fields is protected by a license
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